Page Thirty-Two

The Kite Runner by Khaled Hosseini

This was a re-read for me. I think I reacted to this book more the second time around, which was odd. I had remembered the main events, but the details, such as Hosseini's perfect description and startling imagery, and the emotional response the book evoked, had been forgotten or blurred, so I rediscovered those things all over again. I also read the book this time around with a much more critical eye, reading it more as a piece of literary achievement than simply a book to settle in to.

There are several merits to this book, most notably is the writing style of the author. He captures things so well, in one scene I literally felt ill as he described Amir's car sickness. But it is the flaws and fractures of Amir, the protagonist, that I think really makes this book. On one hand, I loathed Amir for his cowardice, his treatment of Hassan, his babyish fights for his father's affections; but, on the other hand, this is what makes this book and this character so riveting. It is inside these flaws and fractures that make the book and the people in it so real, for I'm sure many readers can put themselves inside the guilty conscience of a frightened and confused young boy. The relationship between Amir and his father was also particularly well developed, with Amir learning his father fell victim to sin just as he had, and was not as god-like as he had once believed.

This novel reminded me of a novel I have read and blogged about: On Chesil Beach. One moment, one action or inaction, can change the course of a life forever.

Page Thirty-One

The Help by Kathryn Stockett

It is the early 1960s in Jackson, Mississippi. The policy of "separate but equal" is in full, hypocritical swing. Jim Crow laws may have passed, but within the city is much racial tension, and dealing with "uppity" blacks who have done something to cross a white takes many horrific forms. Miss Skeeter, the white daughter of a plantation owner, is a frustrated young woman. She is quickly beginning to see she doesn't quite fit in with her racist, bridge-playing, married-with-children friends. While her friends are wrapped up in petty concerns and setting their black maids straight, she is trying to find herself as a writer and find a way out of her oppressive hometown. On a whim, she sends an idea to an editor in New York for an idea for a book: an expose on the lives of black maids in one of the most racially-heated cities in the South. So begins her clandestine meetings with Aibileen and Minny, opening her eyes to the truth of black and white relations. One by one other maids begin to step forward to share their stories, and the women must deal with the repurcussions of what may happen to them if the people of Jackson find out they are the main characters in Miss Skeeter's book.

The novel is made of up three different perspectives: Miss Skeeter, Aibileen, and Minny. Each character has her own distinct voice. Miss Skeeter is obviously a vague representation of the author herself; Aibileen is a caring, older woman mourning the loss of her own son, and moves from white home to white home once the white children she's reared stop being colourblind; Minny is an outspoken, larger woman with an equally large family and a drunken husband, whose devilish antics have her holding much of the suspense of the book.

I really enjoyed this book. Finally a book I read this summer that I actually didn't want to put down. Granted, it hinted at To Kill a Mockingbird in ways that were a bit obvious, but I appreciated the new perspective it gave, especially since it came from the author's own relationship and lingering questions with her black maid she had growing up in Jackson. I found myself truly detesting certain characters, and feeling bitterness at knowing there are people as ignorant - and more so - as those in the book, and the lengths people go to which stem from their own stupidity. But the book is also funny, and touching, and just makes for a good story.

Page Thirty

Shanghai Girls by Lisa See

It is pre-World War II and two sisters, Pearl - the narrator - and May, are young, beautiful, and living carefree in the vibrant city of Shanghai. Both sisters are naive and unaware of what is actually going on around them, so when they have to flee Shanghai with their mother, after discovering their father has left them deep in debt, they are forced to open their eyes to the world around them, as well as deal with the threat of the Japanese. After a difficult journey and losing their mother, Pearl and May end up in San Francisco and try to make a life for themselves, with their husbands whom they were forced to marry back in Shanghai before they fled. Their lives become separate, as Pearl works hard to keep the family afloat in a Chinatown family cafe and at home, and May becomes caught up in work for the film industry. Both, however, must deal with the consequences of the Communist-craze and inevitably turn to each other when all else has fallen apart.

I did not enjoy this book as much as See's other book I read, Snow Flower and the Secret Fan. While it kept my interest, it took me longer than normal to read it, which tells me it wasn't a great book. There were interesting parts along the way, and some particularly gruesome scenes, but overall I don't think I would recommend this book.